BRISTOL — We’re off to see the Wizard... The Wonderful Wizard of Clay.
Nestled in the hills of Bristol, just south of State Route 20A on Ontario County Road 32 is the Wizard’s “castle.” It’s easy to spot the unique complex, a series of seven geodesic domes, build by the Wizard himself.
After walking through the retail store, the visitor enters the studio, where The Wizard himself might be greeting guests. Jim Kozlowski or his son Jamie may be sitting at the potter’s wheel performing a feat of magic. Instead of a magic wand, the potter uses his hands to spin the clay into a masterpiece. The workshop uses over 100,000 lbs. of clay a year.
Just like wizards of legends, the mystical secrets must be passed down to an apprentice and so it is with the Kozlowski family. There are now two expert wizards and one apprentice.
The story begins with Jim, who 46 years ago, as a college freshman at Buffalo State, began doing pottery.
After earning a B.S and M.S. in fine art, he went on to teach art for 12 years at Greece-Athena School.
Every day he practiced his skills and finally quit teaching. His wife, Lois, told him that if he started the business she would be the manager and The Wizard of Clay came into being, 29 years ago.
Jamie Kozlowski learned from his father the art of pottery making. He has worked full-time in the studio since 1994.
Ancient wizards were known to use alchemy, the transmutation of common metals into gold and silver. Jamie and Jim use a secret formula to produce crystalline glaze pottery, which has been featured on HGTV.
During the firing, actual crystals form from zinc and silica, creating sparkling color changes when captured in the light. Silver, ruby, black, teal, cranberry and lavender are some of the vibrant colors highlighted in the work. Jamie’s crystalline pottery is also sold in 80 retail outlets around the world.
Bristoleaf ® is an exclusive product created by the Wizards.
After the pottery is shaped and the excess clay is trimmed from the bottom, real leaves are pressed onto the soft clay. When the piece is dry, it is fired in the kiln and the leaves are burned off, an imprint — much like a fossil — is left in the piece. The item is then glazed. Jim says he got the idea for Bristoleaf® when he saw an old Chinese pot.